It would have to have been around August 7th or 8th of 1956. I was seven. My family--we were from the east--was traveling the west. It was the first week of a monthlong vacation touring western cities and national parks.
(In the mid-50s, a trip like this was somewhat exotic for easterners, especially kids. That Fall, I became an elementary school celebrity because I'd been to California.)
On one of those days--probably August 8--I made my first of what is now, at least, 200 visits to Point Imperial on Grand Canyon's still remote North Rim. What made this particular visit exciting, however, was not that it was my first. It was because just a few weeks earlier, right over the canyon, there'd been a horrific collision of two passenger airliners killing 120+ people--at the time, the worst commercial aviation disaster in history.
I insisted that my father point out the spot. I was disappointed when he couldn't.
I'd never looked on that day as any sort of benchmark. I was undoubtedly like most kids visiting Grand Canyon--teenagers, included. It's a place you get dragged to by your parents. They just know you'll love it. You'll be spiritually moved as they are. Unfortunately, I don't know that I cared much then for sublime or vast or beautiful or magnificent or innerpeace or Imperial or 7 Wonders of the World. I only cared about seeing where the planes crashed.
And now...heh!...a half century later, I get to see my image www.deviantart.com/view/252371… (taken in the late-90s) from that same Point Imperial on the cover of an Arizona Highways Christmas issue. And because Rhavethstine rhavethstine.deviantart.com/ --check out his gallery; he haunts many of the Grand Canyon trails I'm familiar with--because he asked about the submission / selection process in getting that image on the cover, it occurred to me that--perhaps--this process started 50 years ago.
In the strictly factual version, Arizona Highways photo editors, about 7-8 months in advance, will send out a request to the, 100-some photographers on their email list regarding upcoming photographic needs. Since the content of most issues--the photography and writing--has been assigned long ago, there is little need for stock photos in most issues.
[HINT TO PHOTOGRAPHERS: either learn to write, or team up with someone who does write (that's what I did). Magazines like concepts, stories.]
However, the HiWays Christmas issue is usually almost all stock submissions. HiWays tries to make it their best photo issue of the year. For 2005, the theme was "Spirit of Place". Unfortunately, I missed the email, so I didn't submit anything. I wasn't completely unhappy that I hadn't since photo submissions are very tedious clerical exercises, and I no longer actively work at photography. All images require accurate captions. All images require ID#'s. (HiWays is apparently leaning towards requiring all images to have a scanable barcode. They only encourage it now.) There's a form to fill out, where you list each photo submitted. Then, the images have to be carefully packed, taken to FedEx and insured.
However, Peter Aleshire, editor of the magazine had seen a low-lying cloud shot by another photographer that he'd liked. Unfortunately (well, not for me!), the image he'd seen was a 6x18cm panoramic which made it unsuitable for a vertical cover. So, since I'd had a portfolio in HiWays in Feb. 1998 called "When The Sky Falls" (Clouds in the Canyon), the Photo Director contacted me asking if I had anything he could use on the cover.
I wasn't about to say 'no', of course.
(The philosophy behind what makes a successful magazine cover is worthy of a separate discussion.)
And that's how my, admittedly unique, image from Point Imperial came to be on the cover of Arizona Highways.
That, and 200 trips to Point Imperial over 50 years.
So, for myself, looking at that image--looking across a murky, cloud-shrouded Grand Canyon from Point Imperial--I'm looking across 50 years. No, my life doesn't vividly flash before my eyes. It remains, like the image, murky and cloud-shrouded. But, I AM reminded most vividly that I've had a life. And I can measure 50 years of that life--a half century--by this one image.
However, if there are any elements from that August, 1956 day contained in this image--well, I'm damned if I can find them. Yet, I can't help but wonder: 50 years later--from childhood to deep, deep, deep middleage--I'm still at Point Imperial.
What went right that day?
(Note to anyone who views the December 2005 issue of Arizona Highways: don’t neglect my two page image from Cape Royal just inside the front cover on the Table of Contents pages AND the many other magnificent photos of Arizona throughout the magazine taken by landscape photographers far more eminent than myself such as David Muench, Jack Dykinga, and Larry Ulrich.)
For ARIZONA HIGHWAYS photo submission guidelines, click here: www.arizonahighways.com/page.c…
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Dawn on the Edge of Eternity
Dawn on the Edge of Eternity
For a photo-journalist, it helps to have sharp elbows; a portraitist--conversational skills; a nature photographer--patience. Without the preceding qualities, whatever actual talent might exist withers on the vine.
And for a landscape photographer?
It helps to have a craving for solitude.
And it also helps to have lived for several years at the edge of Grand Canyon.
At the summer solstice, Grand Canyon sunrises occur just a bit after five; winter, around seven-forty. I like sunrises. The air seems gentler, cleaner. There are few others about. I feel on the cusp of something special. The sunsets, I leave
My Musical Life III: The Greatest Music
This is an essay. A gold star to everyone who manages a complete reading
"He who wants to understand National Socialism, must first know Wagner"--Adolph Hitler
"Every time I hear Wagner, I get the urge to invade Poland"--Woody Allen
(Sigh... )
Writing about Richard Wagner (b. Leipzig 1813; d. Venice 1883--and, pronounce the name right, pleeeze: VAHG-ner) for an audience consisting largely of Weezer mavens and Tolkienites seems a daunting task. Perhaps it helps to be old. Except...except, I started listening at 18 (am I correct here? I do not think of 18 as old) when competitors for my ear included the young-and-in-their-prime Beatle
My Musical Life II: A Teenager and The Stones
At the time, it was a revelatory experience. I can't say that I'd gotten much into "Rock & Roll". Probably because "Rock", as differentiated from "Rock & Roll", didn't really exist. Had I paid attention in my early years--up to the 8th grade (1962), age 13--I might have appreciated Buddy Holly; maybe the Everly Brothers; maybe the Ronettes and the Phil Spector sound. But, to find it meant having to wade thru Elvis, and Bobby Vinton, Leslie Gore, Fabian (Horrors!).
The Beatles themselves didn't completely bowl me over tho I certainly paid attention to them. They made kids really get into music. Singles were no longer sufficient. Albums
My Musical Life
Part 1: Confessions of a Choirboy
I don't know that my parents played Mozart or Vivaldi for me while I was in the womb. Perhaps, they did. And, if so, the year would have been 1948. But, I vaguely remember, as one of my first conscious out-of-womb musical experiences--I was real little--was having a Walt Disney record--it might have been a small sized 78rpm disk--of Goofy singing a parody of the 'Toreador Song' from a famous opera by Bizet called "Carmen". The tune is still very familiar to most people.
From age nine to fourteen, I took piano and organ lessons. I had great difficulty with my piano teacher. She was a nice old lady, bu
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Having read this and a few of your other journals, I'm a little surprised you didn't just write your own articles to accompany your photography back in the day. This entry certainly sounds like something you might find in AZ Highways. Thanks for the informative and entertaining read. It is interesting, the process through which an image gains its meanings over time.
In checking out the submission guidelines, I was actually very surprized to see how much they give for image rights, especially a cover image. Wow! That certainly beats selling prints. Speaking of which, think back to the magazine and how next to most images they have a little blurb like, "To order prints, call 123-4567 or go to [link]..." What percentage do you get if someone orders a print of your image through the magazine... if anything?
Also, did you happen to catch that article about digital images a few months back? AZ Highways ran an article that said it was considering accepting digital images, but I didn't see anything positive regarding digital images in their current submission guidelines. I guess they only accept that format from established photographers. That, and B&W images. I wish they would accept some manner of B&W images.
What went right that day?
First impressions last a lifetime. The Canyon never lets go, once it has a hold of you.
In checking out the submission guidelines, I was actually very surprized to see how much they give for image rights, especially a cover image. Wow! That certainly beats selling prints. Speaking of which, think back to the magazine and how next to most images they have a little blurb like, "To order prints, call 123-4567 or go to [link]..." What percentage do you get if someone orders a print of your image through the magazine... if anything?
Also, did you happen to catch that article about digital images a few months back? AZ Highways ran an article that said it was considering accepting digital images, but I didn't see anything positive regarding digital images in their current submission guidelines. I guess they only accept that format from established photographers. That, and B&W images. I wish they would accept some manner of B&W images.
What went right that day?
First impressions last a lifetime. The Canyon never lets go, once it has a hold of you.